The arena floor tilts.
No—that's not the floor. That's me, listing sideways like a ship taking on water. I catch myself against the stone wall of the corridor leading back to the competitor quarters, and my hand comes away slick. Blood. Mine, judging by the copper taste coating my tongue.
The match against Kessler was supposed to be straightforward. She was strong. I was faster. Simple arithmetic.
Except her blade found the space between my ribs on the fourth exchange—a lucky angle, a moment of inattention when the crowd's roar spiked and my concentration fractured like cheap glass. The wound isn't deep enough to kill me. Just deep enough to remind me that overconfidence is a luxury I can't afford.
I make it three more corridors before my vision starts swimming in earnest.
Shit.
The fever hits sometime after dark.
I don't remember making it to my quarters, which is concerning. I pride myself on being aware of my surroundings, on never being caught unaware. But the afternoon blurs into evening, and suddenly I'm on my cot with my shirt off and something wet and wrong happening under my ribs.
The wound is infected.
I can tell by the heat radiating from it, by the way my skin feels like it's trying to vibrate right off my bones. Infection means sepsis. Sepsis means death, slow and undignified, which is somehow worse than a blade through the heart. I've survived too much to die like this—fevered and alone in a rented room that smells like mold and desperation.
I'm considering my options (none of which are good) when the door opens.
"Kael, I—" Draconis stops mid-sentence, and I watch the moment he takes in the scene: me half-naked, clearly fevered, bleeding through a hastily applied bandage. His eyes shift, that molten gold darkening to something older and more dangerous. "What the hell happened?"
"Lost focus." I try to sound casual, like I'm not currently burning from the inside out. "Kessler got lucky."
He's already moving, that fluid predatory grace eating up the distance between us. The scent of cedarwood and smoke reaches me before he does—grounding, somehow, in a way I don't want to examine too closely.
"Move your hand."
"Fuck off, Ashenmoor. I've got it handled."
"You're lying." He says it without malice, just fact. His fingers wrap around my wrist—not roughly, but with absolute certainty that I'll comply. "You're fevered. You stink of infection. And you're still pretending you don't need help, which is either impressive stubbornness or brain damage. I'm hoping it's the former."
I should argue. I should tell him to get out, that I don't need anyone playing nursemaid. That's what the version of me from five years ago would do—the version that learned early that vulnerability is a weapon people use against you.
But I'm fever-sick and tired, and his hand is warm around my wrist, and I'm so fucking tired of being alone.
"Fine," I mutter. "But if you're squeamish about blood, now's the time to leave."
He laughs—a low, genuine sound that makes something in my chest clench unexpectedly. "You're joking. I've bled out enough to fill a bathtub. I've also caused most of those bleeds. Your infected stab wound is not going to bother me."
He peels back my bandage with careful fingers, and I hiss through my teeth as the wound pulls open. The flesh around it is angry red, swollen. Definitely infected. Definitely bad.
"I need supplies," he says, already moving toward the door. "Don't move."
"Where the hell am I going to go?"
"You'd be surprised." He pauses at the threshold, those amber eyes fixing on me with an intensity that makes my pulse stutter. "Don't bleed out before I get back, Vex."
He's gone before I can respond.
I spend the time he's absent trying not to think about the fact that I let him see me like this—weak, injured, unable to maintain the armor I've spent years constructing. The thought makes my skin crawl almost as much as the fever does.
He returns with supplies that suggest he either bribed someone or simply took what he needed without asking. I'm betting on the latter. He's carrying cloth, something that smells medicinal and sharp, and a bowl of water that steams in the cool evening air.
"This is going to hurt," he says, settling onto the cot beside me. Not a question. Not a warning. Just fact.
"I've had worse."
"I'm sure you have." There's something in his tone—not pity, which I would hate, but acknowledgment. "That doesn't mean this won't hurt."
He's right. When he pours the medicinal solution over the wound, it feels like he's pouring molten iron directly into my chest. I bite down on the inside of my cheek hard enough to taste blood, refusing to cry out. He works with practiced efficiency, cleaning away the infection, and I realize this isn't his first time doing this.
"You've done this before," I say through gritted teeth.
"Battlefield medicine." He doesn't look up from his work. "When you've been in as many wars as I have, you learn to patch yourself up. Or you die."
"Is that what happened? In the dragon realms?" The question escapes before I can stop it. I blame the fever for my lack of filter.
He's quiet for a long moment, his hands steady as they work. The scent of cedarwood intensifies—he's closer now, leaning in to inspect the wound more carefully. His shoulder is almost touching mine.
"I refused to marry for politics," he finally says. "My father wanted an alliance with the house of Valorian. Their daughter was considered a suitable match—powerful, beautiful, politically advantageous. Everything a prince is supposed to want."
"But you didn't want her."
"I didn't want to be owned." He says it with the same flat certainty he used about the pain. "In the dragon realms, marriage is a binding—magical, eternal, inescapable. I would have been chained to her for eternity, our lives intertwined whether we loved each other or not. And she would have been chained to me. It was slavery dressed up in silk and jewels."
I understand that more than I should. The idea of being bound to someone, of having your autonomy stripped away in the name of duty or love or political necessity—it makes my throat close.
He finishes cleaning the wound and starts applying something that smells like herbs and magic. The pain recedes slightly, replaced by a strange tingling sensation.
"So you left."
"I left." He wraps fresh cloth around my ribs with careful precision. "Took human form and walked away from everything. My title, my power, my family. My father called it betrayal. I called it survival."
"And now you're bound to me." I can't quite keep the bitterness out of my voice. "Seems like you traded one cage for another."
"It's not the same." His hands pause in their work. "You didn't enslave me, Kael. You saved me. There's a difference."
"Is there?" I ask softly. "You're still bound. Still not free."
"Neither are you." He finishes the wrapping and meets my eyes, and there's something so raw in his expression that I have to look away. "But maybe that's not the worst thing. Maybe being bound to the right person is different than being bound to the wrong one."
The fever makes me reckless. Or maybe it's just that I'm so tired of pretending I don't feel anything.
"Tell me something," I say. "And don't bullshit me. I'll know."
"All right."
"When you look at me, what do you see?"
He's quiet for so long I think he's going to deflect. But then he reaches out and traces the scar bisecting my left eyebrow with one careful finger, and the touch sends electricity racing down my spine.
"I see a woman who survived things that should have broken her," he says quietly. "I see someone who built herself into a weapon because she had no other choice. I see someone so terrified of being owned that she won't let anyone close enough to love her." He drops his hand. "I see someone worth knowing."
My chest is tight. The fever is making everything feel too much—his proximity, his words, the way he's looking at me like I'm something precious instead of something dangerous.
"That's a lot of projection," I manage.
"Maybe." He stands, creating distance that feels both necessary and devastating. "But I don't think I'm wrong."
He moves to the small table in the corner and starts preparing something—tea, by the smell of it. Medicinal. The kind of thing that tastes like grass and tastes like care, which is worse somehow than if he'd just left me to suffer.
"Drink this," he says, handing me a cup. "It'll help with the fever."
I drink it. It tastes exactly as bad as I expected. I make a face, and he almost smiles.
"Better things rarely taste good," he observes.
"Is that a metaphor?"
"Everything's a metaphor if you're pretentious enough." He settles back onto the cot, maintaining a careful distance now. "Tell me about it. The slavery."
I should refuse. I should tell him it's none of his business, that some wounds are too deep to expose to daylight. But the fever has burned away my usual defenses, and there's something about the way he's sitting—not demanding, just present—that makes the words come anyway.
"I was seven when they took me," I say quietly. "Me and Sera. Our village was too close to the border, too easy a target. They wanted young slaves—moldable, they said. Less likely to rebel."
The cup is warm in my hands. I focus on that instead of the memory.
"They were right about the rebellion part. I tried to fight, in the beginning. Tried to run." I trace my finger along the rim of the cup. "They beat it out of me. Not cruelly, exactly—just systematically. Like breaking a horse. Eventually, you learn that resistance is just pain with no payoff."
"But you didn't stay broken." His voice is gentle, which somehow makes it harder to continue.
"No. I realized that the only way to survive was to become something they feared more than they wanted to control. So I learned their weapons. I learned their fighting styles. I became better than them." I look at him finally. "Sera adapted differently. She learned to manipulate through softness, through charm. She survived by becoming what they wanted her to be. I survived by becoming what they feared."
"And now?"
"Now I can't stop." The admission costs me. "I don't know how to be anything else. I don't know how to let anyone close without feeling like they're trying to own me. Even when I know logically that they're not. Even when..." I trail off, because finishing that sentence means admitting something I'm not ready to admit.
"Even when you care about them," he finishes quietly.
I don't respond. Can't. The fever is making everything too raw, too honest. If I speak, I'll say something I can't take back.
He stands and moves to the window, giving me space to breathe. The city spreads out below us, thousands of lives happening in parallel to mine. I wonder if any of them are as complicated, as fractured, as mine.
"I refused the marriage because I didn't want to be owned," he says to the window. "But also because I was a coward."
"How does that work?"
"I told myself I was choosing freedom. But really, I was choosing isolation." He turns back to face me. "It's easier to be alone than to risk being hurt by someone else. It's easier to maintain control when no one else is involved."
"Sounds like you know something about that."
"I know a lot about it." His smile is sad. "I spent years in human form, moving through cities, taking lovers who meant nothing. Maintaining distance. Telling myself I was happy."
"Were you?"
"No." He comes back to the cot and sits, this time closer than before. "I was safe. Which is not the same thing as happy."
The fever is making me brave, or stupid, or both. I reach out and take his hand. His fingers are warm, and they close around mine with surprising gentleness.
"I don't know how to do this," I admit. "Whatever this is."
"Neither do I." He brings my hand to his chest, and I can feel his heart beating beneath my palm—fast, slightly irregular. "But maybe we figure it out together."
"That's terrifying."
"Yes." He doesn't try to convince me otherwise. "But less terrifying than being alone, I think."
I should pull my hand away. I should maintain the distance, the armor, the careful separation between myself and anyone else. But I'm fever-sick and tired, and his heartbeat is real beneath my palm, and for once I don't want to be alone.
Instead, I lean closer.
He doesn't move away. His free hand comes up to cup the side of my face, and I realize he's asking permission. The gentleness of it breaks something in me—something I didn't know was broken until it started bleeding.
"This is a bad idea," I whisper.
"Catastrophically bad," he agrees, and then he's leaning in, and his mouth is almost touching mine, and I can smell the cedarwood and smoke, and I'm drowning in it—
The fever spikes.
I pull back, gasping, and the moment shatters like glass.
"I'm going to be sick," I manage.
He doesn't hesitate. He grabs the basin and holds it while my body betrays me, while I'm reduced to something raw and vulnerable and completely stripped of dignity. And he doesn't leave. Doesn't look away. Doesn't treat me like I'm something disgusting.
When it's over, he brings me water to rinse my mouth, and fresh cloth for my forehead, and he settles beside me like he's planning to stay.
"You should go," I tell him. "You'll get infected."
"I'm a dragon." He says it like it's obvious. "I don't get infected."
"You're in human form."
"Not entirely." He holds up his hand, and for just a moment, I see scales shimmer across his knuckles before he pulls the glamour back over it. "I can shift back enough if I need to. But I'm not leaving."
"Draconis—"
"Sleep, Kael." His voice is soft but absolute. "I'll be here."
The fever pulls me under before I can argue further.
I dream of chains and fire and a hand holding mine in the darkness, and I don't know which is more terrifying—the nightmares or the person anchoring me through them.
When I wake, it's deep night, and he's still there.
His head is tilted back against the wall, his breathing deep and even. In sleep, he looks younger. Less like a prince in exile and more like a person—just someone trying to survive, like the rest of us.
I could leave. I could get up, get dressed, slip away into the night and pretend this never happened. That I never let him see me weak. That I never almost kissed him.
Instead, I reach out and adjust the blanket covering him, careful not to wake him.
And when I finally sleep again, I don't dream of chains.




