Chapter 4

Chapter 4: The Saboteur's Strategy

The plan is elegant in its simplicity, which is exactly why it will work.

I've spent three days since the gala dissecting the problem like a surgeon with a scalpel, and the solution crystallized somewhere around 2 AM when I was on my fourth cigarette and second glass of wine I definitely shouldn't have been drinking. The answer isn't to run. Running is what weak people do, and I've spent my entire life proving I'm not weak.

The answer is to make myself so unsuitable, so catastrophically incompatible with Adrian Moreau, that even my father's ambitions will shatter against the rock of reality.

I'm sprawled across my apartment's leather sofa in what can only be described as tactical planning mode—laptop open, phone in hand, a notebook filled with what would look like the ravings of a madwoman to anyone who found it. But it's not madness. It's strategy. It's the same cold calculation I've used to survive my father's indifference and my mother's suffocating expectations.

Make Adrian hate me.

Make him want to call off this engagement as badly as I do.

The beauty of it is that I don't need to be subtle. I just need to be real in a way that terrifies men like him. Men who've built their entire existence on control and power. I'll show him that marrying me means chaos. That I'm not some decorative asset to be managed—I'm a liability.

My phone buzzes. A message from my mother: Darling, Adrian's office confirmed dinner tomorrow night. He's taking you somewhere special. Do try not to embarrass us.

I smile. Not the polite society smile I've perfected over two decades of galas and charity functions. This is a real smile, sharp as broken glass.

Perfect timing.

---

The restaurant is exactly what I expected—all white tablecloths and hushed reverence, the kind of place where people whisper like they're in church. Adrian is already seated when I arrive, and for just a moment—a fraction of a second I immediately bury—my breath catches.

He's wearing charcoal gray, the suit tailored so precisely it looks like it was painted onto his body. His dark hair is swept back, revealing the sharp lines of his face, and those storm-cloud eyes track my approach with an intensity that makes my skin prickle.

Focus, Isabelle.

"You're late," he says as I sit, not bothering with pleasantries. His voice is smooth as whiskey, dangerous as a loaded gun.

"Fashionably," I counter, reaching for the wine list with deliberate casualness. "Besides, I was trying to decide which version of myself to bring tonight. The obedient fiancée or the honest one. I went with honest. You're welcome."

Something flickers across his face—amusement, maybe, or irritation. It's hard to tell with him.

"Your father mentioned you have... opinions about this arrangement."

"My father mentions a lot of things. Most of them are wrong." I set down the wine list and meet his gaze directly. "Let's be clear about something, Adrian. I don't want this. I didn't ask for this. And I'm going to do everything in my power to make sure it doesn't happen."

There. The gauntlet is thrown.

He leans back in his chair, fingers steepled, and for a long moment he simply studies me. The candlelight catches the sharp edges of his jaw, the controlled line of his mouth. When he speaks, his voice is low enough that only I can hear it over the ambient restaurant noise.

"You think I do?"

The question catches me off-guard. I'd prepared for anger, for dismissal, for the kind of patriarchal bullshit I've come to expect from men with his level of power. I wasn't prepared for... what? Honesty?

"I don't know what you think," I say carefully. "I don't know you."

"No," he agrees. "You don't."

He signals the waiter, orders wine without consulting me, and I feel a spark of irritation. Classic power move. I'm about to call him out on it when he adds, "Bring the Bordeaux. She'll hate it, and I want to see her face when she tastes it."

My irritation transforms into something more complicated.

"You're trying to provoke me."

"Is it working?"

It absolutely is, and that's the problem.

---

By the time dessert arrives, I've executed approximately half of my sabotage plan. I've been deliberately difficult—ordering the most expensive thing on the menu, making cutting remarks about his business practices (which I've researched extensively), and generally being the kind of woman no self-respecting billionaire would want to marry.

And yet.

And yet he keeps looking at me like I'm the most interesting thing in the room.

The bergamot and leather scent of his cologne has been slowly infiltrating my space all evening, and I'm acutely aware of every time his hand moves across the table, every time he leans forward to make a point. There's a small scar on his left knuckle—I notice it when he reaches for his wine glass—and I find myself wondering where it came from. What kind of fight leaves marks on a man like Adrian Moreau?

"Tell me something," he says, and there's a dangerous softness to his voice now. "Why are you really doing this?"

"Doing what?"

"This." He gestures vaguely at me, at the space between us. "The performance. The hostility."

I should lie. I'm excellent at lying. It's one of my core competencies. Instead, something in his expression—something that looks almost like understanding—makes me tell the truth.

"Because if I don't fight this, it happens. And if it happens, then I've lost. I don't lose, Adrian. I can't afford to."

He's quiet for a long moment, and I watch the candlelight dance across his features. When he speaks, his voice is barely above a whisper.

"What if I told you I don't want this either?"

The world tilts slightly.

"Then I'd say you're lying. You're a man. Men like you don't get forced into anything."

"You think I have a choice?" There's something raw in his laugh. "Your father's company has connections I need. My board is pushing for this alliance. And your mother has been calling my office daily with wedding plans." He meets my eyes, and I see something there that looks like desperation carefully masked as control. "I'm as trapped as you are, Isabelle."

I don't believe him. I can't afford to believe him.

But I want to.

---

The second "chance" encounter happens three days later at a charity gala—because apparently the wealthy solve all their problems by throwing more parties at each other.

I'm standing alone near the bar, nursing a martini and mentally composing my exit strategy, when Adrian appears beside me like he materialized from smoke.

"Your father's looking for you," he says without preamble.

"My father can look all he wants. I'm taking a break from being a performing seal."

"Seal?" He's closer than he should be, close enough that I can smell that cedar and leather combination that's starting to feel dangerously familiar. "I was thinking more like a beautiful, dangerous predator."

"Flattery?" I turn to face him, and the proximity is suddenly very, very relevant. "That's not part of the plan."

"What plan?"

"The one where I make you hate me."

His laugh is low, genuine, and it does something complicated to my chest. "You're terrible at it."

"I'm not trying that hard," I lie.

"Exactly."

He's looking at me with an intensity that makes my pulse quicken, and I'm acutely aware of every place his body is close to mine without touching. My skin feels too tight. My breath feels too shallow. This is not according to plan.

I reach for my martini, use it as an excuse to create distance, but he catches my wrist gently. Just his fingertips against my pulse point, and it's enough to make every nerve ending in my body stand at attention.

"Stop running," he says quietly.

"I'm not running. I'm strategizing."

"Same thing."

I pull my wrist away, but it's a half-hearted effort and we both know it. "This is a mistake."

"Probably."

"We should barely tolerate each other."

"We should," he agrees.

"So why are you here? Why are you making this harder?"

His jaw tightens. He looks away, and when he looks back, there's something in his expression that looks like surrender. "Because I'm tired of being alone in a room full of people. And you're the only person here who doesn't bore me to death."

It's not a love confession. It's not even particularly romantic. But it's honest, and honesty from someone like Adrian Moreau feels like a weapon and a gift simultaneously.

"We're still getting married," I say, but my voice is softer now. Dangerous.

"I know."

"And you still hate it."

"I still hate it," he confirms.

"Then why—"

"Because I hate it less than the alternative." He steps closer, and now he's definitely violating my personal space in a way that should feel threatening but doesn't. "Which is never seeing you again."

My heart is doing something very embarrassing in my chest. My carefully constructed plan is crumbling like a sandcastle in a hurricane.

"Adrian—"

"Come with me tomorrow," he says. "Somewhere away from our families, away from all of this. Somewhere we can actually talk without an audience."

"That's a terrible idea."

"The worst."

"My father would lose his mind."

"Mine too."

"And yet you're asking anyway."

His hand comes up to my face, and his thumb traces my cheekbone with a tenderness that contradicts everything I know about him. "I'm asking anyway."

I should say no. Every logical part of my brain is screaming at me to say no. This is exactly how women like me end up caged.

"Tomorrow," I hear myself say. "Text me the details."

---

The third encounter is different.

He picks me up at a coffee shop two blocks from my apartment, and I'm struck immediately by how he looks without the armor of a suit. Dark jeans, a black sweater that clings to his shoulders, and he's still somehow the most commanding person on the street.

"Get in," he says, and I do, because apparently my survival instincts have filed for divorce from my decision-making capabilities.

We drive for forty minutes without talking, and the silence is thick with all the things we're not saying. His hand rests on the steering wheel, and I notice his knuckles again—that small scar. I want to ask about it. I want to ask about everything.

Instead, I watch the city transform into something more rural, more real.

He takes me to a house. Not a mansion—an actual house, modest and weathered, with a wraparound porch and windows that look out onto fields. There's nothing here that screams billionaire. No staff, no security, no performance.

"What is this?" I ask as he leads me inside.

"Somewhere I come when I need to remember who I am underneath all of it." He gestures around the sparse interior. "No one knows about it. Not my board, not my business associates. Not even your father."

"Why are you showing me?"

He turns to face me, and there's something vulnerable in his expression that I've never seen before. "Because I'm tired of performing. And I want to know if you are too."

I should be analyzing this. Calculating the angles, looking for the trap. Instead, I'm moving toward him like I have no choice in the matter, like my body has decided to overrule my brain's objections.

"This is a mistake," I whisper.

"Catastrophic," he agrees.

"We're supposed to be sabotaging this."

"I know."

"I was going to humiliate you publicly."

"I believe you." His hands come up to my face, cradling it gently. "But I'm asking you not to."

"Why?"

"Because I think you're the one thing in my life that isn't calculated. And I can't afford to lose that."

He kisses me before I can respond, and it's not gentle. It's hungry and desperate and tasting like bergamot and cedar and something that feels dangerously close to surrender. My hands fist in his sweater, and I'm pulling him closer instead of pushing him away, and everything I've built—all my walls, all my strategies, all my careful distance—is crumbling.

When we break apart, I'm trembling.

"This changes nothing," I say, and it's the biggest lie I've told in years.

"No," he agrees, and he's lying too. "Nothing at all."

---

I'm still reeling when I get home.

My phone buzzes as I'm pouring wine I absolutely do not need. Unknown number. A text that makes my blood run cold:

I know what you're doing. Adrian isn't who you think he is. We need to talk. Meet me tomorrow, 3 PM, the Rousseau Building. Come alone. —M

The initials hit me like ice water.

Margot.

Adrian's ex-lover. Adrian's ex-lover who apparently knows something about Adrian that I don't. Adrian's ex-lover who is clearly not accepting the end of their relationship with any grace whatsoever.

I read the message three times, searching for the threat beneath the words. There's definitely a threat. The kind that doesn't need to be explicit to be understood.

My phone buzzes again. This time it's Adrian:

Can't stop thinking about today. Tell me you're thinking about it too.

I stare at the two messages—one from the past, one from the present—and feel the ground shifting beneath my feet. Everything was supposed to be so simple. Make him hate me. Make myself unsuitable. Get out of the engagement with my dignity intact.

Instead, I've apparently walked directly into something far more complicated.

And worse, I'm not sure I want to walk back out.

I set the phone down without responding to either message and reach for my cigarettes. As I'm lighting one, I catch my reflection in the window—messy bun, smudged makeup, a woman who looks like she's just been thoroughly kissed and has absolutely no idea what she's doing anymore.

My mother would say I'm being reckless.

My father would say I'm embarrassing the family.

Adrian would probably say I'm exactly what he needs.

And Margot?

Margot is clearly saying something very different.

I take a long drag on my cigarette and watch the smoke curl against the glass. Tomorrow I'm going to meet with a woman who clearly has a vendetta and information I don't have. Tomorrow I'm going to have to figure out what Adrian isn't telling me.

Tomorrow everything is going to change.

But tonight, I'm going to sit with this feeling—this terrifying, addictive, absolutely catastrophic feeling of being wanted by someone who sees me—and pretend that I'm not already lost.

You might like