The silence in my office is the kind that has weight.
Adrian stands near the window, his silhouette backlit by the city lights below, and I can feel the cold radiating off him like a physical force. It's worse than anger. Anger would be easier. This is something older—disappointment, maybe, or the particular kind of hurt that comes from someone you've let close enough to wound you.
I'm still in yesterday's clothes. Still wearing the scent of him on my skin, which feels like a betrayal in itself given what's about to happen.
"You're going to want to sit down," he says without turning around.
"I'm fine standing." My voice comes out sharper than intended. Defensive. Which is stupid because I have nothing to defend anymore. The dam broke last night, and now we're just sorting through the wreckage.
He turns then, and the look in his eyes makes my stomach drop. Silver-gray, usually so controlled, now churning with something that looks like genuine pain. "Iris. Sit."
I sit.
The chair creaks under my weight, and I'm suddenly very aware of how small I feel in it. How small I've always felt when someone looks at me like they're trying to figure out where the cracks are so they know exactly where to push.
"Tell me about Margot," Adrian says.
Not a question. A demand wrapped in velvet. I've heard him use that tone with students who've lied to him, and it's always made them crumble. I'd thought I was different. I'd thought what we had was different.
Turns out I was just better at lying.
"Adrian—"
"Everything." He moves closer, and I have to fight the urge to stand up, to put the desk between us like a shield. "What she wants. What she's asked you to do. How long this has been happening. Don't insult me by leaving anything out."
The sarcasm in me wants to make a joke—something about his tone, about the way he's going full Victorian headmaster on me. But looking at him, at the careful way he's holding himself together, I realize that would be the cruelest thing I could do right now.
So I tell him.
Everything. Margot showing up at my apartment. The photographs of our parents. The classified files she has access to. The way she's been asking me for information—nothing huge, nothing that would compromise the Academy immediately, just small things. Personnel records. Budget allocations. Research projects. Details that on their own mean nothing but together could paint a picture of what Blackthorn really is.
The way I've been giving them to her.
Adrian doesn't move while I talk. Doesn't interrupt. Doesn't show any reaction except for the way his hands open and close at his sides, like he's physically restraining himself from something. When I finally finish, the silence is even heavier than before.
"How long?" he asks quietly.
"Three months."
"Three months." He repeats it like he's testing the taste of the words. "We've been together for—"
"I know how long we've been together."
"Do you?" His voice is sharp now, and I flinch. "Because from where I'm standing, it seems like you've been playing me the entire time. Letting me think there was something real happening between us while you were systematically feeding information to your sister."
"It's not like that." I stand up, and he takes a step back, which somehow hurts worse than if he'd moved closer. "Adrian, I didn't—I wasn't trying to—"
"What were you trying to do, Iris?" He runs a hand through his hair, and for a moment he looks exhausted in a way that has nothing to do with the hour. "Help her? Hurt me? Both?"
"I was trying to survive." The words come out raw, and I hate how true they are. "She's my sister. My family. The only person I have left from before everything went to hell. And she was asking me to do something that—from her perspective—makes sense. Justice for our parents. Exposure of the people who let the witch hunts happen, who did nothing to stop them."
"By betraying the Academy." Adrian's tone is ice now. "By putting every supernatural being we protect here at risk. By putting me at risk."
"I wasn't—"
"Wasn't what? Wasn't thinking about the consequences? Weren't thinking about me at all?" He laughs, and it's the most bitter sound I've ever heard from him. "I've lived for a hundred and thirty-seven years, Iris. I've watched civilizations rise and fall. I've loved people I shouldn't have and lost them in ways that still ache on certain winter mornings. And I thought—" He stops, jaw clenching. "I thought I was smarter than this. Than you."
The words land like physical blows, and I have to grip the edge of my desk to stay upright. "You're not unfair to me right now."
"Unfair?" He laughs again, that terrible sound. "Do you understand what would happen if your sister succeeded? If she exposed the Academy? It's not just abstract danger, Iris. It's not some theoretical exercise. There are students here who are half-human, whose parents are human. There are professors with families in the human world. Cassius has—" He stops himself, but I catch it.
"Cassius has what?" Something cold slides down my spine.
Adrian's expression hardens. "Nothing. Nothing that matters compared to the fact that you've been lying to me."
But it does matter. I can feel it in the way he won't look at me directly now, the way he's suddenly very interested in the spines of my books. There's something about Cassius that he's not telling me, and in a moment of crystal-clear clarity, I realize that Adrian has been keeping secrets too.
"How long have you known?" I ask quietly. "About Cassius."
"That's not relevant—"
"How. Long."
Adrian's jaw works. "Since before you two started working together."
The room tilts slightly. "And you didn't think to mention that? You didn't think it was relevant to mention that my research partner has some kind of secret history with you?"
"I was protecting you." His voice is sharp again. "Which apparently is something I'm very bad at, given that you've been actively working against me this entire time."
"I haven't been—" But I stop because maybe I have. Maybe every time I gave Margot another file, every time I didn't tell Adrian the truth, I was working against him. Against us. Against everything we've built here.
Adrian moves to the window again, and I watch his shoulders rise and fall with a breath he doesn't technically need to take. "I need you to make a choice," he says to the glass.
My heart stops. Literally stops beating for a moment. "Adrian—"
"Your sister or the Academy." He turns to face me, and his eyes are that terrible silver that means he's completely shut me out. "Your family or your work. You can't have both, Iris. Not anymore. Choose."
The words hang in the air between us like a guillotine blade.
"I can't do that," I whisper.
"Then you're choosing her."
"That's not fair."
"No," he agrees. "It's not. But life rarely is, and you of all people should know that." He moves toward the door, and I want to reach out, to grab his arm, to do something, but I'm frozen. "I need to know where your loyalty lies. And I need to know right now."
"Adrian, wait—"
But he's already gone, and I'm left standing alone in my office with the scent of winter frost and aged leather fading into nothing.
I don't move for a long time.
When I finally do, it's to sink back into my chair and bury my face in my hands. The sarcasm is gone. The armor is gone. What's left is just me—a woman who's spent her entire life learning not to trust anything because everything she loved was taken from her, and somehow I've managed to fuck up the one thing I actually had.
My phone buzzes at 2 AM.
I'm still in my office, surrounded by cold coffee and colder thoughts, when the text comes through: Open your door. We need to talk. —C
Cassius.
Of course.
I consider ignoring it, but something in me—the broken, reckless part that's been making all my decisions lately—makes me get up and head back to my apartment. It's only a few blocks from campus, a small place I've kept deliberately sparse. No photos. No personal touches. Nothing that would hurt too much if I had to disappear again.
He's waiting in the hallway outside my door, and even at 2 AM, he looks like he walked out of a Renaissance painting. Sun-bright hair catching the harsh fluorescent light. Amber eyes that glow faintly in the dimness. He's wearing a charcoal sweater that somehow makes him look both casual and dangerous, and the scent of sandalwood and honey wraps around me like a trap.
"You look like hell," he says conversationally.
"I feel like hell." I unlock my door and he follows me inside without waiting for an invitation. "What do you want, Cassius?"
"To help." He closes the door behind him with a soft click. "To offer you something better than whatever Adrian's been promising you."
"How do you—"
"Know that he's upset?" Cassius moves into my kitchen like he owns it, and I watch him with the detached fascination of someone watching a predator work. "Because I can smell it on you. His scent all over you, and underneath it, the particular kind of misery that comes from disappointing someone you care about."
I don't answer. Can't answer. Because he's right, and I'm too tired to pretend otherwise.
He pulls out a folder from inside his sweater and sets it on my kitchen counter. "I've been doing some research," he says. "Into Adrian's past. Into the things he doesn't talk about."
"Cassius—"
"Hear me out." He holds up his hands, all disarming charm. "There's a reason Adrian's so protective. A reason he's so intense about loyalty and honesty. It's not because he's noble. It's because he's a hypocrite."
Against my better judgment, I move closer to the folder. "What are you talking about?"
"In 1923, Adrian was involved with a human woman named Eleanor Vance. She was a journalist, brilliant, ambitious. She found out about the Academy, and instead of turning her in or killing her, Adrian helped her escape. Helped her hide. Helped her keep his secrets."
My stomach churns. "That's not—"
"There's more." Cassius opens the folder, and photographs spill out. Adrian in old-fashioned clothes. Adrian with a woman who has kind eyes and dark hair. Adrian looking at her like she hung the moon. "They were together for eight years. And when she died—natural causes, old age, all that tragic human stuff—Adrian spiraled. Didn't teach for a year. Nearly exposed himself to the human world in his grief."
"Why are you telling me this?"
"Because he's not the moral authority he pretends to be." Cassius's voice is gentle, which somehow makes it worse. "He's a man who's loved and lost, and he's terrified of losing again. So he's trying to control you. Trying to make you choose between him and your family because he needs the reassurance that you'll always choose him."
"That's not—" But I'm not even sure what I'm denying anymore.
"And then there's this." He pulls out another photograph, and I feel the world tilt. It's Adrian and Cassius, standing together in what looks like a 1920s speakeasy. They're close. Too close. The way they're looking at each other—
"We were together," Cassius says quietly. "For about five years. It was intense and beautiful and terrible, like all the best things are. And then I wanted something different. I wanted to stop hiding. And Adrian couldn't—wouldn't—understand that. So I left."
I sink onto my kitchen stool because my legs aren't working anymore. "Why are you telling me this?"
"Because I have an offer for you." Cassius moves around the counter until he's standing in front of me, and the scent of sandalwood and honey is overwhelming now. "Your sister wants exposure. The Academy wants to stay hidden. Adrian wants you to choose between them, which is an impossible choice designed to make you dependent on him."
He reaches out and tilts my chin up with one finger, and I should move away but I don't.
"What if there was a third option?" His amber eyes are hypnotic in the low light. "What if we exposed the Academy together, but did it strategically? Not as an attack, but as a liberation. A chance for our kind to stop hiding. To stop pretending we're less than we are."
"Cassius—"
"Your sister would get her justice. The Academy would still exist, just transformed. And you—" He traces my cheekbone with his thumb, and I'm aware of every point of contact between us. "You could stop being torn between two impossible choices."
"By betraying Adrian," I say.
"By choosing yourself." He leans closer, and I can feel the warmth radiating off him. "You've spent your whole life running from what happened to your family. What if instead of running, you stood and fought? Not for Adrian. Not for Margot. For you."
His lips are inches from mine, and my traitorous body wants to close the distance. Wants to lose myself in the heat of him, in the promise of simplicity. Wants to believe that there's a path forward that doesn't require impossible choices.
"I can't," I whisper.
"You can." His breath smells like honey and winter wind. "You're stronger than you think, Iris. You're stronger than all of us."
He pulls back before I can respond, and the loss of his warmth feels like a physical ache. He sets a business card on my counter—cream-colored, expensive, with nothing but a phone number embossed in gold.
"Think about it," he says. "Call me when you're ready to stop choosing between men and start choosing yourself."
And then he's gone, leaving me alone in my kitchen with the scent of sandalwood and the weight of impossible choices pressing down on my shoulders.
I don't sleep.
I sit in my kitchen until dawn breaks over the city, and I think about Adrian's question: Choose.
I think about Margot and her grief, her need for justice that's calcified into something harder over the years.
I think about Cassius and his beautiful lie—that there's a way to have everything, to expose and protect simultaneously, to be free without consequences.
I think about Adrian, standing in my office with centuries of hurt in his eyes, asking me to prove that I'm not going to leave him like everyone else has.
And I think about myself—who I am when I'm not running, not hiding, not trying to survive. What I want that has nothing to do with any of them.
My phone buzzes at 6 AM. A text from Margot: We need to talk. It's urgent.
Then another from Adrian: I'm sorry. That was unfair. We should discuss this properly.
And a final one from Cassius: Tick tock, Iris. The clock is running out.
I set my phone down and watch the sun rise over the city, painting the sky in shades of amber and rose and gold. And I realize that I have no idea what comes next.
All I know is that whatever I choose, someone is going to get hurt.
And the person most likely to get hurt is me.








